Lest my readers think everything always goes smoothly over here, gather around and hear this tale.

On the heels of solving a photographic mystery last month, I bought another roll of exposed film on eBay. This time it was a roll of exposed Kodak Porta 160 for $9, and every thing about this purchase was frustrating. To start with, it took almost a month to be delivered.

When I finally got around to developing it, it was a real bear to get loaded onto the film reel. I’ve gotten pretty good at loading both 35mm and 120 film and can generally get it done in a just a few minutes. Not this time. I spent over an hour dicking around with it. I can’t even pinpoint what the problem was. The film just wasn’t cooperating.

Every thing about this purchase was frustrating.

Finally loaded, I developed it just like I’ve done dozens of other rolls of C-41 color film. My Cinestill chemicals were up to the proper temperature of 102 degrees, timers set correctly, etc. The film strip came out solid black. Not even a grain of visible exposure.

Was the film inadvertently exposed before I bought it? After I bought it? After I received it? Did I screw up the development process some how? No way of knowing.

You win some, you lose some.

One response to “Film Failure”

  1. CineStill 50 Daylight – ICT Film Guy Avatar

    […] After my last bout with 120 color film, I wasn’t eager to try again. But I had a roll of CineStill 50 Daylight on hand that I wanted to try, so I delved right in. I’ve never shot this slow of a film before, either in B&W or color. It promises fine grain and I was excited to see how it performs. A bright, sunny day was the perfect time to shoot this daylight balanced film. I put it in my Agfa Isolette III (quickly becoming a favortie piece of gear in my collection) and shot all 12 frames in one day. At $15 a roll, that’s $1.25 per frame (not counting shipping and development costs). Compare that to the exact same film sold at the same price but in 35mm format and 36 exposures which comes out to about 42 cents per frame. If my math is correct, it’s three times more expensive per frame when comparing medium format to 35mm. But, I digress. […]

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Hi! I’m Ken.

Welcome to my site! This is a place for me to share my film photography, discuss my techniques and chop it up about the badass cameras of yesteryear that I use.

ICT = Wichita

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